Rebuilding Place in the Urban Space

"A community’s physical form, rather than its land uses, is its most intrinsic and enduring characteristic." [Katz, EPA] This blog focuses on place and placemaking and all that makes it work--historic preservation, urban design, transportation, asset-based community development, arts & cultural development, commercial district revitalization, tourism & destination development, and quality of life advocacy--along with doses of civic engagement and good governance watchdogging.

Tuesday, June 11, 2019

Thinking anew about supporting community radio

Although this has been a problem in the US for a couple decades, in March I wrote about this spurred by how local radio programming is being decimated in the UK because the national regulatory body has agreed to eliminate this requirement, at the behest of "chain radio station operators."

-- "Culture planning and radio: local music, local content vs. delivery nodes for a national network"
-- "Local communities are being silenced. We're in the age of the 'unplace'," Guardian

The radio tower and studio for the KHIL radio station. Photograph: Cassidy Araiza/The Guardian


The Guardian just published an article ("America's rural radio stations are vanishing – and taking the country's soul with them") about the decline of locally-focused radio stations in the rural section of the US, which increasingly face financial failure. From the article:
The radio station, whose call letters are KHIL, has long been the daily soundtrack for this frontier town (population 3,500) that prides itself on its cowboy culture and quiet pace of life. But six decades after the founding of the station, the property is in foreclosure, with utility disconnect notices coming nearly every month.

Small-town radio is fizzling nationwide, as stations struggle to attract advertisement dollars. And as station owners are forced to sell, media conglomerates snap up rural frequencies for rock-bottom prices, for the sole purpose of relocating them to urban areas. In a more affluent market, they can be flipped for a higher price. With limited frequencies available, larger broadcasters purchase as many as possible – especially those higher on the dial – in a race not dissimilar to a real estate grab.
KHIL is particularly interesting, because country music star Tanya Tucker grew up in Wilcox, Arizona, home to the station, listened to it, hung out at the station while she was developing her sound, etc.

Public radio groups are pretty common at the state level.  I run across such organizations as we travel if we are driving (because I tend to only listen to radio in a car).  I've come across great public radio station networks in Pennsylvania (WXPN, the alternative radio station affiliated with the University of Pennsylvania), rural Virginia (Virginia's Public Radio, Radio IQ), and Washington State, and have learned about others.

(Of course, most of these stations are reachable via the Internet, if you aren't in their broadcast area.)

In the DC area, the NPR affiliates, WAMU-FM in DC and WETA-FM in Northern Virginia have repeater stations in Maryland.

But these groups specifically operate their station as NPR affiliates, and broadcast (or repeat) national NPR programming as well as programs from Public Radio International and sometimes other groups, as well as programs they self-produce, such as the "Arizona Currents" program of Arizona Public Media.

Could public radio groups open up their "community radio networks" to include stations like KHIL in Wilcox, Arizona, without such stations having to become formal NPR affiliates, but still able to do their own thing, but with support of regional or statewide cultural funding and technical support.

Recording Engineer Jim Blackwood in Radio Production Room at KUAZ-FM, Tucson.

In the case of KHIL, perhaps that could be Arizona Public Media, which is based at the University of Arizona in Tucson.  Apparently, public radio groups in Arizona operate more at a regional basis, rather than statewide.

-- Station Resource Group, technical assistance group for public radio stations


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1 Comments:

At 5:25 PM, Blogger Richard Layman said...

https://www.seattletimes.com/entertainment/music/kexp-executive-director-to-retire-after-building-the-radio-station-into-a-global-institution/

11/9/2021

When Mara started volunteering at the station in 1987, it was still the University of Washington station KCMU, which had only a 15-mile range. But in 2000, Mara says he received a grant from the late Paul Allen for $250,000 a year (then the organization’s operating budget) for 10 years, and a $1-a-month lease at a new facility in South Lake Union. The next year, KCMU became KEXP, and the organization grew by leaps and bounds under Mara’s leadership.

In 2016, KEXP moved into its new home in Seattle Center, a community space with a record store, coffee shop and spaces where visitors could watch live sessions. Mara says he cried at the opening event for the space. It was one of his most memorable moments during his time as executive director. KEXP’s new home was an important step in Mara’s goal of connecting music lovers to artists who deserve to be heard. ...

“KEXP is the kind of station that understands nurturing artists and developing artists,” she says. “The station ends up being requested by artists. And that’s unusual.”

Even outside of his role at KEXP, Mara is an advocate for Seattle’s music scene, says Jasper. She says Mara was instrumental in developing a paid internship program to help people break into the music business, and a high school music-business career day that included stars like Macklemore and Ryan Lewis.

 

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