Rebuilding Place in the Urban Space

"A community’s physical form, rather than its land uses, is its most intrinsic and enduring characteristic." [Katz, EPA] This blog focuses on place and placemaking and all that makes it work--historic preservation, urban design, transportation, asset-based community development, arts & cultural development, commercial district revitalization, tourism & destination development, and quality of life advocacy--along with doses of civic engagement and good governance watchdogging.

Thursday, November 17, 2005

Two Films Paint Two Faces Of Wal-Mart

Wal Mart Ad in Washington Post Weekend Section, October 8, 2005Wal Mart Ad in Washington Post Weekend Section, October 8, 2005.

This article from the Hartford Courant discusses the two competing films:

A middle-age African American woman speaks in a calm, quiet voice about the conversation she says she had with her boss when she was yet again passed up for a promotion at Wal-Mart."He bluntly told me, `There's no place for people like you in management,'" said Edith Arana, who no longer works for the retailer. I said, `What do you mean, people like me? That I'm female or that I'm black?'" Arana said she responded. "He said, `Two out of two ain't bad.'

"It's one of the most compelling scenes in "Wal-Mart: The High Cost of Low Price," a searing new documentary directed by independent filmmaker Robert Greenwald on a budget of $1.8 million. A dueling documentary also debuted this week, called, "Why Wal-Mart Works: And Why That Makes Some People Crazy." It's a glowing portrayal of the world's largest retailer, directed by independent filmmaker Ron Galloway. It was made on less than 5 percent of Greenwald's budget, and packs less of an emotional punch.

whywalmartworks.com.jpg

Together, they tell two tales of one Wal-Mart: Predator that exploits workers and decimates local communities in its endless hunt for profits, and exemplar of economic efficiency whose low prices are a boon to consumers worldwide.So far, few audiences have watched both side by side.

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